La VENIDERA Japan Tour Tickets Now on Sale – Highly Anticipated in the Dance and Art World
Key facts
- La VENIDERA Japan Tour Tickets Now on Sale – Highly Anticipated in the Dance and Art World
- DESEADO presents La VENIDERA's Japan tour performance 'NO' at Sesion Suginami Hall on September 18-19, 2026. Tickets are available via Confetti.
- Source: PR Times
- Date: June 3, 2026
Direct answer
DESEADO presents La VENIDERA's Japan tour performance 'NO' at Sesion Suginami Hall on September 18-19, 2026. Tickets are available via Confetti.
- Citation
- La VENIDERA Japan Tour Tickets Now on Sale – Highly Anticipated in the Dance and Art World (June 3, 2026), PR Times
- Source
- PR Times
- Date
- June 3, 2026
DESEADO presents La VENIDERA's Japan tour performance 'NO' at Sesion Suginami Hall on September 18-19, 2026. Tickets are available via Confetti.
📋 Article Processing Timeline
- 📰 Published: June 3, 2026 at 19:00
- 🔍 Collected: June 3, 2026 at 10:21
- 🤖 AI Analyzed: June 7, 2026 at 01:50 (87h 29m after Collected)
DESEADO presents the Japan tour performance of 'NO' by La VENIDERA, which will be held at Sesion Suginami Hall (1-22-32 Umezato, Suginami-ku, Tokyo) on Friday, September 18, 2026, and Saturday, September 19, 2026.
Tickets are now on sale via Confetti (operated by Long Run Planning Co., Ltd., Shinjuku-ku, Tokyo, Representative Director: Taigo Kurematsu).
Tickets on sale at Confetti
Official website
■ About the Work
"Because art is a place that can only exist by denying the real world" — Mark Manson
For their first work after leaving the Spanish National Ballet, the duo titled it NO. The work summary is accompanied by a poem by Mark Manson. The word NO seems to carry intentions not only of denial and rejection but also of 'emptying out' and 'becoming nothing.'
This work follows the trend of contemporary dance, which has become increasingly popular in the world of Spanish dance in recent years. It may differ from the general image of Spanish dance, but Spanish dance is certainly its foundation. Some viewers may perceive it as a contemporary dance piece, while others may feel it is Spanish dance or flamenco. Both perspectives are valid, as the work encompasses all these elements.
Derek Van Den Bulcke performs the music. He sometimes blends soundscapes into the stage as if disappearing, and at other times sharply responds to the duo's dance, creating tension on stage. Although performed with electronic instruments rather than acoustic ones, it fully conveys the essence of 'live performance' that can only be created in that moment.
'NO' also garnered attention for the participation of Marcos Morau. However, the fact that they limited his role to artistic supervision, rather than entrusting him with everything, reveals their will as choreographers. 'NO' vividly demonstrates that the duo of La VENIDERA are not only masters of classical Spanish dance but also choreographers and dancers leading Spanish dance into a new era.
With this work, La VENIDERA received the 2025 El Ojo Crítico Award ('Critic's Eye' Award) from Spanish public television. Since its premiere in 2025, the work has been performed in theaters across Spain and other parts of Europe, and the shortened version (Pieza Corta) performed in museums and outdoor spaces has also been well-received. Furthermore, it is currently nominated in 4 categories for the MAX Awards and 3 categories for the GODO Awards, where they are nominated alongside Rocío Molina and Israel Galván, drawing significant attention.
■ Performer Introduction
[Choreography, Direction, Performance]
La VENIDERA
Irene Tena
Albert Hernández
La VENIDERA — 'The One to Come'
As their name suggests, they are a duo pioneering new horizons in Spanish dance and flamenco.
They are currently one of the most promising units in the Spanish dance scene.
Irene Tena and Albert Hernández, both from Barcelona, explore the 'friction points' between tradition and modernity, incorporating a contemporary perspective unique to those born in the late 1990s into their works. Their pieces reflect an attention to detail, an artisan sensibility, and a love for handcraft, cherishing the value of 'ma' (interval) and 'pausing' in a fast-paced, technology-driven era.
In 2016, they joined the Spanish National Ballet under the direction of Antonio Najarro. Later, under the direction of Rubén Olmo, Albert performed as a first dancer (equivalent to principal) and Irene as a solista. They both played main roles in the Spanish National Ballet's acclaimed work 'Afanador,' choreographed and directed by Marcos Morau, leaving a vivid impression. After leaving the company in 2024, they have been developing their own activities as La VENIDERA while continuing to perform as guest dancers in the Spanish National Ballet's 'Afanador.'
As choreographers, they have created works for leading Spanish dance companies such as the Spanish National Ballet and the Andalusian Dance Company, and have also been invited as choreographers and advisors by flamenco dancers such as Alfonso Losa, earning immense trust from various quarters.
[Sound Design, Performance]
Derek Van Den Bulcke
A music producer and visual artist who bridges flamenco culture and contemporary art. His activities span a wide range, including DJing, noise, and sound design, and he has performed with artists like Rocío Molina. Crossing music, video, and dance, he fuses pure flamenco with a contemporary sensibility. By reconstructing emotions and rhythms, he leads audiences into an immersive experience. His multicultural and experimental approach is an attempt to redefine folklore as a 'platform for dialogue' that transcends the realms of art and culture. He is gaining significant attention as an artist who uses technology and innovative methods to connect tradition to the future without losing its essence.
Organization Overview
Focusing on the 'now' of flamenco, which continues to evolve in its homeland of Spain, and introducing outstanding stage works to Japan.
Performance Overview
Performance Title: 'NO' La VENIDERA Japan Tour
Choreography, Direction, Performance: La VENIDERA (Irene Tena, Albert Hernández)
Sound Design, Performance: Derek Van Den Bulcke
Artistic Supervision: Marcos Morau
Premiere: Centro Danza Matadero (Madrid, 2025)
[Schedule]
September 18 (Fri) 19:30 start
September 19 (Sat) 17:00 start
*Approximately 60 minutes
*Doors open 30 minutes before the start
[Venue]
Sesion Suginami Hall (1-22-32 Umezato, Suginami-ku, Tokyo)
5-minute walk from Tokyo Metro Marunouchi Line 'Higashi-Koenji Station', 7-minute walk from 'Shin-Koenji Station'
[Tickets] (All reserved seats)
[Advance] (tax included)
S Seat ¥12,500, A Seat ¥9,800, B Seat ¥7,000
Wheelchair/Consideration Seats, Parent-Child Seats ¥4,000
[Door] (tax included)
S Seat ¥13,000, A Seat ¥10,000, B Seat ¥7,500
*Please inquire about wheelchair/consideration seats and parent-child seats
[Organizer/Production]
DESEADO
web: https://deseado.tokyo
email: info@deseado.tokyo
phone: 070-9043-7921
[Supported by]
Embassy of Spain in Japan
Instituto Cervantes Tokyo
Japan Flamenco Association ANIF
MARUWA Foundation for the Promotion of Spanish Dance
Ticket Site 'Confetti'
Ticket purchase process and Confetti member benefits
https://service.confetti-web.com
Tickets are now on sale via Confetti (operated by Long Run Planning Co., Ltd., Shinjuku-ku, Tokyo, Representative Director: Taigo Kurematsu).
Tickets on sale at Confetti
Official website
■ About the Work
"Because art is a place that can only exist by denying the real world" — Mark Manson
For their first work after leaving the Spanish National Ballet, the duo titled it NO. The work summary is accompanied by a poem by Mark Manson. The word NO seems to carry intentions not only of denial and rejection but also of 'emptying out' and 'becoming nothing.'
This work follows the trend of contemporary dance, which has become increasingly popular in the world of Spanish dance in recent years. It may differ from the general image of Spanish dance, but Spanish dance is certainly its foundation. Some viewers may perceive it as a contemporary dance piece, while others may feel it is Spanish dance or flamenco. Both perspectives are valid, as the work encompasses all these elements.
Derek Van Den Bulcke performs the music. He sometimes blends soundscapes into the stage as if disappearing, and at other times sharply responds to the duo's dance, creating tension on stage. Although performed with electronic instruments rather than acoustic ones, it fully conveys the essence of 'live performance' that can only be created in that moment.
'NO' also garnered attention for the participation of Marcos Morau. However, the fact that they limited his role to artistic supervision, rather than entrusting him with everything, reveals their will as choreographers. 'NO' vividly demonstrates that the duo of La VENIDERA are not only masters of classical Spanish dance but also choreographers and dancers leading Spanish dance into a new era.
With this work, La VENIDERA received the 2025 El Ojo Crítico Award ('Critic's Eye' Award) from Spanish public television. Since its premiere in 2025, the work has been performed in theaters across Spain and other parts of Europe, and the shortened version (Pieza Corta) performed in museums and outdoor spaces has also been well-received. Furthermore, it is currently nominated in 4 categories for the MAX Awards and 3 categories for the GODO Awards, where they are nominated alongside Rocío Molina and Israel Galván, drawing significant attention.
■ Performer Introduction
[Choreography, Direction, Performance]
La VENIDERA
Irene Tena
Albert Hernández
La VENIDERA — 'The One to Come'
As their name suggests, they are a duo pioneering new horizons in Spanish dance and flamenco.
They are currently one of the most promising units in the Spanish dance scene.
Irene Tena and Albert Hernández, both from Barcelona, explore the 'friction points' between tradition and modernity, incorporating a contemporary perspective unique to those born in the late 1990s into their works. Their pieces reflect an attention to detail, an artisan sensibility, and a love for handcraft, cherishing the value of 'ma' (interval) and 'pausing' in a fast-paced, technology-driven era.
In 2016, they joined the Spanish National Ballet under the direction of Antonio Najarro. Later, under the direction of Rubén Olmo, Albert performed as a first dancer (equivalent to principal) and Irene as a solista. They both played main roles in the Spanish National Ballet's acclaimed work 'Afanador,' choreographed and directed by Marcos Morau, leaving a vivid impression. After leaving the company in 2024, they have been developing their own activities as La VENIDERA while continuing to perform as guest dancers in the Spanish National Ballet's 'Afanador.'
As choreographers, they have created works for leading Spanish dance companies such as the Spanish National Ballet and the Andalusian Dance Company, and have also been invited as choreographers and advisors by flamenco dancers such as Alfonso Losa, earning immense trust from various quarters.
[Sound Design, Performance]
Derek Van Den Bulcke
A music producer and visual artist who bridges flamenco culture and contemporary art. His activities span a wide range, including DJing, noise, and sound design, and he has performed with artists like Rocío Molina. Crossing music, video, and dance, he fuses pure flamenco with a contemporary sensibility. By reconstructing emotions and rhythms, he leads audiences into an immersive experience. His multicultural and experimental approach is an attempt to redefine folklore as a 'platform for dialogue' that transcends the realms of art and culture. He is gaining significant attention as an artist who uses technology and innovative methods to connect tradition to the future without losing its essence.
Organization Overview
Focusing on the 'now' of flamenco, which continues to evolve in its homeland of Spain, and introducing outstanding stage works to Japan.
Performance Overview
Performance Title: 'NO' La VENIDERA Japan Tour
Choreography, Direction, Performance: La VENIDERA (Irene Tena, Albert Hernández)
Sound Design, Performance: Derek Van Den Bulcke
Artistic Supervision: Marcos Morau
Premiere: Centro Danza Matadero (Madrid, 2025)
[Schedule]
September 18 (Fri) 19:30 start
September 19 (Sat) 17:00 start
*Approximately 60 minutes
*Doors open 30 minutes before the start
[Venue]
Sesion Suginami Hall (1-22-32 Umezato, Suginami-ku, Tokyo)
5-minute walk from Tokyo Metro Marunouchi Line 'Higashi-Koenji Station', 7-minute walk from 'Shin-Koenji Station'
[Tickets] (All reserved seats)
[Advance] (tax included)
S Seat ¥12,500, A Seat ¥9,800, B Seat ¥7,000
Wheelchair/Consideration Seats, Parent-Child Seats ¥4,000
[Door] (tax included)
S Seat ¥13,000, A Seat ¥10,000, B Seat ¥7,500
*Please inquire about wheelchair/consideration seats and parent-child seats
[Organizer/Production]
DESEADO
web: https://deseado.tokyo
email: info@deseado.tokyo
phone: 070-9043-7921
[Supported by]
Embassy of Spain in Japan
Instituto Cervantes Tokyo
Japan Flamenco Association ANIF
MARUWA Foundation for the Promotion of Spanish Dance
Ticket Site 'Confetti'
Ticket purchase process and Confetti member benefits
https://service.confetti-web.com
FAQ
What is the title of the performance?
'NO' La VENIDERA Japan Tour.
What are the dates and venue?
September 18 (Fri) and 19 (Sat), 2026 at Sesion Suginami Hall, Suginami-ku, Tokyo.
Where can I buy tickets?
Tickets are on sale at Confetti (confetti-web.com).