[Kansai Gaidai University] Open Lecture Series on 'Songs Do Not Remain Silent: Social Change and Music in Latin America' to be Held on Friday, June 19. Online Participation Available.
Key facts
- [Kansai Gaidai University] Open Lecture Series on 'Songs Do Not Remain Silent: Social Change and Music in Latin America' to be Held on Friday, June 19. Online Participation Available.
- The Ibero-American Studies Center of Kansai Gaidai University will hold the second session of its 2026 open lecture series on social change and music in Latin America on June 19. A professor from Ritsumeikan University will lecture on social change and folk music in Cuba, incorporating live musical performances. Online participation is available.
- Source: PR Times
- Date: June 4, 2026
Direct answer
The Ibero-American Studies Center of Kansai Gaidai University will hold the second session of its 2026 open lecture series on social change and music in Latin America on June 19. A professor from Ritsumeikan University will lecture on social change and folk music in Cuba, incorporating live musical performances. Online participation is available.
- Citation
- [Kansai Gaidai University] Open Lecture Series on 'Songs Do Not Remain Silent: Social Change and Music in Latin America' to be Held on Friday, June 19. Online Participation Available. (June 4, 2026), PR Times
- Source
- PR Times
- Date
- June 4, 2026
The Ibero-American Studies Center of Kansai Gaidai University will hold the second session of its 2026 open lecture series on social change and music in Latin America on June 19. A professor from Ritsumeikan University will lecture on social change and folk music in Cuba, incorporating live musical performances. Online participation is available.
📋 Article Processing Timeline
- 📰 Published: June 4, 2026 at 00:50
- 🔍 Collected: June 3, 2026 at 16:05
- 🤖 AI Analyzed: June 7, 2026 at 00:32 (80h 26m after Collected)
■ Event Overview
Date & Time
Friday, June 19, 17:00 - 18:30
Venue
Kansai Gaidai University, Nakamiya Campus, Multimedia Hall (Building 5, 1st Floor) 16-1 Nakamiya Higashino-cho, Hirakata City, Osaka 573-1001
Admission Fee
Free
How to Participate
In-person: No prior registration required. Please come directly to the venue.
Online (Google Meet): Prior registration is required.
Ibero Open Lecture Series Online Viewing Application Form
https://kansaigaidai-university.form.kintoneapp.com/public/ibero003
The first session was held on May 29, with Professor Emeritus Izumi Chiba of Osaka University lecturing on 'Chilean Music Committed to Social Issues: 'Angelito's Farewell' and 'New Song''. He explained the evolution of modern Chilean music while actually singing with the participants.
Professor Emeritus Chiba is also a performer and composer. On the day, he spoke on two themes: the traditional Chilean song 'Angelito's Farewell' and the socially conscious 'Nueva Canción' (New Song) movement that flourished from the 1960s to the 1980s.
In his explanation of 'Angelito's Farewell,' he introduced the historical background of how monks used music for the evangelization of indigenous peoples since the late 15th century colonization. As an example of the indigenization of European instruments, he presented traditional instruments like the 'charango,' made from an armadillo shell.
'Angelito' refers to a child who died young, with roots in folk beliefs that venerate their soul as an angel. He explained that this song, where the deceased child bids farewell to the family, plays a crucial role as 'catharsis (spiritual purification),' soothing the hearts of the bereaved family and allowing them to release their grief.
He then discussed the 'Nueva Canción' movement, born in response to the momentum for social reform. Singers created works that advocated for the policies of the then-government but faced severe repression after the 1973 military coup. However, they continued to sing of hope for freedom and democracy from exile abroad and within the country's slums, and their songs supported the will of the people to resist.
He noted that when the country returned to a democratic system through a 1988 plebiscite, a song performed during the opposition's political broadcast gave great courage to the people. Between talks, Professor Emeritus Chiba played instruments like the 25-string guitar 'guitarrón' and performed songs related to the two themes.
[Contact Information]
Kansai Gaidai University Research Support Center
Tel: 072-805-2801 (Main)
Email: ibero-2026@kansaigaidai.ac.jp
■ Kansai Gaidai University
Official Website: https://www.kansaigaidai.ac.jp
'GO FOR it! Beyond Language.'
Kansai Gaidai University leverages its overseas network spanning 427 universities in 55 countries and regions (as of June 2026), sending approximately 1,300 students abroad annually. Its two campuses in Hirakata City, Osaka, host about 1,100 international students each year, fostering daily international exchange.
The university has established an educational system that allows students to learn diverse specialized fields such as culture, politics, and economics as a '+α' on top of their language skills. It offers diverse learning opportunities tailored to individual student interests, including the 'USCPA Pathway Program' aimed at obtaining the U.S. Certified Public Accountant qualification. Students acquire specialized knowledge beyond language, cultivating the solid skills needed to meet the demands of the future era and society.
FAQ
What is the theme of this lecture series?
The theme for this year is 'Songs Do Not Remain Silent: Social Change and Music in Latin America'.
When and where is the second lecture held?
It will be held on Friday, June 19, at 5:00 PM at the Multimedia Hall, Nakamiya Campus, Kansai Gaidai University.
Is there a participation fee?
No, participation is free of charge.
How can I participate online?
Online participation requires prior registration. It will use Google Meet, and you can register via the dedicated form.
Who was the lecturer and what was the content of the first lecture?
The first lecture was on May 29 by Professor Emeritus Izumi Chiba of Osaka University, who spoke about modern Chilean music and social movements, singing with the participants.