Academia Sinica Defends New Visual Identity, States It Complements, Not Replaces, Original Logo
Academia Sinica today addressed concerns from legislators regarding a new visual identity introduced in 2020. The academy emphasized the change was to enhance visual effects for science popularization and new platforms, clarifying that it complements, not replaces, the old identity, with both systems now in parallel use. The NT$1.04 million project also aimed to solve technical issues with the scalability of the traditional calligraphy logo in digital formats.
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(CNA reporter Wu Hsin-yun, Taipei, 21st) Academia Sinica today addressed legislators' concerns about a new visual identity added to its brand identification in 2020. The academy emphasized that the move was to enhance visual effects in response to science popularization and the emergence of new platforms, and that it was not a replacement for the old identity but rather a parallel system. The founding emblem of Academia Sinica uses the calligraphy of its first president, Tsai Yuan-pei. In 2020, the academy added a new visual identity, including new fonts and colors. The Legislative Yuan was reviewing the Academia Sinica unit's budget within the central government's total budget for the 115th year today, when a legislator raised concerns about the visual identity added by the academy six years ago. Academia Sinica's Secretary-General, Tseng Kuo-hsiang, noted in a media interview after the meeting that the new visual identity, added six years ago, cost NT$1.04 million. The project contract covered preliminary analysis and related design for Academia Sinica's basic and applied brand identification systems, such as business cards, work IDs, presentation templates, colors, auxiliary graphics, and printing and web usage guidelines (like poster design), with a total of 10 companies bidding. Tseng said the new visual identity was initially added to enhance visual effects for science popularization and the emergence of various dissertation platforms, a trend seen in universities worldwide, and can be used when creating posters for science outreach. Tseng also mentioned that when the traditional calligraphy characters of the old identity are scaled down, they cannot be fully rendered, and there can be color blurring issues on web platforms. Therefore, the new identity was also intended to solve this technical problem. Tseng stressed that the two different visual identities—one more calm, reserved, and traditionally humanistic, the other more youthful and lively—are both available on the Academia Sinica website for staff to freely download and use in different contexts. Academia Sinica President Liao Chun-chih also clarified during the inquiry that it was an overall optimization of the visual image, not just a change of font, and that the two systems are currently running in parallel. (Editor: Lee Heng-shan)
FAQ
中研院為什麼要新增形象識別?
為因應科普推廣及新數位平台出現,希望能增強視覺效果,並解決傳統書法院徽在縮小或網路應用時,字體不清或顏色模糊的技術問題。
新的形象識別是否取代了舊的院徽?
沒有,中研院強調新舊兩套識別系統是「兩套併行」,依據不同情境(如科普推廣用新版,正式場合用傳統版)由同仁自由下載使用。
這個新增形象識別的計畫花了多少錢?
經費為新台幣104萬元。
新舊兩種形象識別的風格有何不同?
傳統識別(蔡元培墨寶)較沉穩內斂、具人文傳統;新增的形象識別則較年輕活潑。
此事是在什麼場合被提出的?
在立法院審查115年度中央政府總預算案有關中央研究院單位預算案時,由立委提出關切。